Love Death and Robots Title

Geek Errant Reviews: Love Death and Robots

March 17, 2019 Conor 0

Anthology series like Love Death and Robots always hold such fantastic promise. Love, Death and Robots as a title suggests this show could contain anything around those three ideas. Using the medium of animation, it can dive deep, with the sheer variety of content hopefully allowing for something every audience can enjoy. While the quality of each episode varies, the series as a whole is worth the minor time investment for the animation quality alone. Love Death and Robots is a new anthology series from Netflix. It’s a collection of 18 short animated episodes, each of varying lengths. These have been produced by a variety of studios. Which themselves have been adapted from a series of stories from sci fi writers. The series has been produced by David Fincher (Yes that one) and series creator Tim Miller with the scripts being adapted by Philip Gelat. Almost all of the episodes are science fiction based, with the subgenres varying between variations of Cyber, Steam and Diesel punk, Space Travel, Horror and more. . Since each episode is so short, and the effort required to buy in is so little, it’d be difficult to talk about each episode without spoiling them, but I did think there were a few standout episodes. Three Robots Adapted from a short story by John Scalzi, the second episode of the series is one of the strongest. Three Robots, on vacation in the ruins of a human city long after the apocalypse. There’s nothing particularly original here Read More

Tokyo 42 Title

Tokyo 42 Review: Hyper Stylised Hitman

May 31, 2017 Conor 0

Tokyo 42 is a stunningly realised depiction of a neon Pan-Asian future city. It’s also a great indie game built around clever camera controls and some really good shooting gameplay. Plus an excellently flappy coat.

No Man’s Sky Review: A Universe of Moments

August 17, 2016 Conor Caulfield 1

No Man’s Sky, from the comparatively small team at Hello Games, is a game balancing on a tightrope. It is both indie and mainstream, confoundingly huge and yet incredibly personal. The game is straddling the lines of two of the biggest genres that exist in modern gaming, and not quite managing to exemplify either.