I thought I didn’t really like isometric RPGs. It turns out what I really didn’t like was how most isometric RPGs played. An endless slog of grids and turn based combat getting in the way of enjoying the roleplaying. Disco Elysium is an Isometric RPG. I love Disco Elysium.
Violence in an alley, a city on the brink and a vigilante to bring fear to those in power. For a film that was supposed to be a fresh spin on the superhero mythos, Joker is certainly wrapped up in aping Batman’s. (Spoilers Beyond)
The best games in the city building genre are time machines. A player should be able to run the game, begin building their metropolis and suddenly realise that they’ve lost an evening and gained an urban sprawl. Islanders manages to do this in a way most city builders don’t. It turns the whole process of building your city into a puzzle in and of itself.
Anthology series like Love Death and Robots always hold such fantastic promise. Love, Death and Robots as a title suggests this show could contain anything around those three ideas. Using the medium of animation, it can dive deep, with the sheer variety of content hopefully allowing for something every audience can enjoy. While the quality of each episode varies, the series as a whole is worth the minor time investment for the animation quality alone. Love Death and Robots is a new anthology series from Netflix. It’s a collection of 18 short animated episodes, each of varying lengths. These have been produced by a variety of studios. Which themselves have been adapted from a series of stories from sci fi writers. The series has been produced by David Fincher (Yes that one) and series creator Tim Miller with the scripts being adapted by Philip Gelat. Almost all of the episodes are science fiction based, with the subgenres varying between variations of Cyber, Steam and Diesel punk, Space Travel, Horror and more. . Since each episode is so short, and the effort required to buy in is so little, it’d be difficult to talk about each episode without spoiling them, but I did think there were a few standout episodes. Three Robots Adapted from a short story by John Scalzi, the second episode of the series is one of the strongest. Three Robots, on vacation in the ruins of a human city long after the apocalypse. There’s nothing particularly original here Read More
Venom is not a good movie. Venom is not a well made movie. It fails to understand plot structure, basic theme escapes it and the characters are somehow awful, uncompelling and forgettable all at once. Venom is a fascinating trainwreck in slow motion that I watched with my mouth agape and my hands clawing at my face.
Spider-Man is the best superhero game that exists right now. It earns this title for so many reasons. Not just the superbly realised world of New York. Not just the simple yet challenging character action combat. Not even the intuitive webswinging that anchors the whole game. Spider-Man is the best superhero game because it understands the genre better than any so far. It is a game about being a hero, and doing good.
An atmospheric blend of brawling combat action game and conversation based adventure game, Vampyr is the latest title from Dontnod Entertainment and Focus Home Interactive. Not a perfect game, but one worth your time even if you’re not fascinated by the gothic.
On a boat, off the coast of Dubrovnik, there is an alien. First contact for humanity is beginning. It’s up to the player to decide what happens next. The newest game from Bithell Games is a more complex and interesting Text Adventure than you initially might think.
Frostpunk is a narratively driven city simulator from 11 Bit Studios, previously best known for This War of Mine. It’s set in a steampunk universe where the world has suffered a snow and ice based apocalypse. It requires a player to manage resource gathering, advancing the story by exploring the frozen world and balancing the discontent or hope of their society through laws and policies as they try to survive in a frozen wasteland.
This Infinity War review is spoiler free. For the quick version, it’s an entertaining solid film. There’s an unusual central viewpoint, a good use of the majority of the (quite large) cast and some clever through lines on 10 years of films to this point. If you like any of the Marvel Movies to date, then this film has something for you.
